Premiere opera Eugene Onegin

Eugene Onegin (Russian: Евгений Онегин, romanized: Yevgény Onégin, IPA: [jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn] ⓘ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky.

The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.

Eugene Onegin is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend.

The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist.

Composition history

In May 1877, the opera singer Yelizaveta Lavrovskaya spoke to Tchaikovsky about creating an opera based on the plot of Alexander Pushkin's 1825–1832 verse novel Eugene Onegin. Tchaikovsky felt that the novel wasn't particularly strong in plot – a dandy rejects a young country girl, she successfully grows into a worldly woman, he tries to seduce her but it is too late. The strength of the novel resided in its character development and social commentary, as well as in the beauty of its literary delivery. Soon after a sleepless night, Tchaikovsky came to embrace the idea. He created the scenarios in one night before starting the composition of the music.

Tchaikovsky, with some minor involvement by Konstantin Shilovsky, used original verses from Pushkin's novel and chose scenes that involved the emotional world and fortunes of his heroes, calling the opera "lyrical scenes." The opera is episodic; there is no continuous story, just selected highlights of Onegin's life. The composer finished the opera by January 1878.

Premiere - 29 March 1879 in Maly Theatre, Moscow.

Performance history

Tchaikovsky worried whether the public would accept his opera, which lacked traditional scene changes. He believed that its performance required maximum simplicity and sincerity. With this in mind, he entrusted the first production to the students of the Moscow Conservatory. The premiere took place on 29 March (17 March O.S.) 1879 at the Maly Theatre, Moscow, conducted by Nikolai Rubinstein, with set designs by Karl Valts (Waltz). Whatever misgivings Tchaikovsky had, over the next century the public embraced the opera and it is frequently performed all over the world.

Two years later the first performance at the Bolshoi Theatre in Moscow took place on 23 January (11 January O.S.) 1881 with conductor Eduard Nápravník.

Outside Russia the initial reception was lukewarm, and it was slow to reach European cities, being seen as a Russian curiosity. The first performance outside Russia took place on 6 December 1888 in Prague, conducted by Tchaikovsky himself, although the rehearsals had been the responsibility of Adolf Čech. It was sung in Czech and translated by Marie Červinková-Riegrová.

The first performance in Hamburg, on 19 January 1892, was conducted by Gustav Mahler, in the composer's presence. Tchaikovsky was applauded after each scene and received curtain calls at the end. He attributed its success to Mahler, whom he described as "not some average sort, but simply a genius burning with a desire to conduct".

The first performance in England took place on 17 October 1892 at the Olympic Theatre in London with Henry J. Wood conducting and Eugène Oudin in the title role. Fanny Moody sang Tatyana. This performance was sung in English, to a text translated by Henry Sutherland Edwards.

Vienna first saw Eugene Onegin on 19 November 1897, conducted by Gustav Mahler.

The United States premiere was given on 24 March 1920 at the Metropolitan Opera in New York City. The opera was sung in Italian. The first Russian performance by the Metropolitan Opera was on 15 October 1977.

Recordings

Source: 

• 1936, Vasiliy Nebolsin (conductor), Bolshoi Theatre Orchestra and Chorus, Panteleimon Nortsov (Onegin), Sergei Lemeshev (Lensky), Lavira Zhukovskaya (Tatyana), Bronislava Zlatogorova (Olga), Maria Botienina (Larina), Konkordiya Antarova (Filipyevna), Aleksandr Pirogov (Gremin), I. Kovalenko (Triquet)
• 1937, Alexander Melik-Pashayev, Bolshoi Theatre Orchestra and Chorus, Panteleimon Nortsov (Onegin), Ivan Kozlovsky (Lensky), Elena Kruglikova (Tatyana), Elizaveta Antonova (Olga), Ludmila Rudnitskaya (Larina), Vera Makarova (Filipyevna), Maxim Mikhailov (Gremin), Sergei Ostrumov (Triquet)
• 1948, Aleksander Orlov (conductor), Bolshoi Theatre Orchestra and Chorus, Andrey Ivanov (Onegin), Ivan Kozlovsky (Lensky), Yelena Kruglikova (Tatyana), Maria Maksakova (Olga), B. Amborskaya (Larina), Fayina Petrova (Filipyevna), Mark Reyzen (Gremin), I. Kovalenko (Triquet)
• 1955, Oskar Danon (conductor), Chorus and Orchestra of the National Theatre, Belgrade, Dušan Popović (Onegin), Drago Starc (Lensky), Valerija Heybal (Tatyana), Biserka Cvejić (Olga), Mira Verčević (Larina), Melanija Bugarinović (Filipyevna), Miroslav Čangalović (Gremin), Stepan Andrashevich (Triquet)
• 1956, Boris Khaikin (conductor), Bolshoi Theatre Orchestra and Chorus, Yevgeniy Belov (Onegin), Sergei Lemeshev (Lensky), Galina Vishnevskaya (Tatyana), Larisa Avdeyeva (Olga), Valentina Petrova (Larina), Yevgeniya Verbitskaya (Filipyevna), Ivan Petrov (Gremin), Andrey Sokolov (Triquet), Igor Mikhaylov (Zaretsky)
• 1957 Dimitri Mitropoulos (conductor), The Metropolitan Opera, George London (Onegin), Richard Tucker (Lensky), Lucine Amara (Tatiana), Rosalind Elias (Olga), Martha Lipton (Larina), Belén Amparám (Filipyevna), Giorgio Tozzi (Gremin), Alessio De Paolis (Triquet), George Cehanovsky (Zaretsky)
• 1961, Lovro von Matacic (conductor), Wiener Staatsoper, Dietrich Fischer-Dieskau (Onegin), Anton Dermota (Lensky), Sena Jurinac (Tatyana), Biserca Cvejic (Olga), Hilde Konetzni (Marina), Hilde Rössel-Majdan (Filipyevna), Walter Krempel (Gremin), Peter Klein (Triquet)
• 1970, Mstislav Rostropovich (conductor), Bolshoi Theatre Orchestra and Chorus, Yuri Mazurok (Onegin), Vladimir Atlantov (Lensky), Galina Vishnevskaya (Tatyana), Tamara Sinyavskaya (Olga), Alexander Ognivtsev (Gremin), Tatiana Tugarinova (Larina), Larisa Avdeyeva (Filipyevna), Vitaly Vlasov (Triquet) Le Chant du Monde
• 1974, Sir Georg Solti (conductor), Orchestra of The Royal Opera House, Covent Garden and John Alldis Choir, Bernd Weikl (Onegin), Stuart Burrows (Lensky), Teresa Kubiak (Tatyana), Julia Hamari (Olga), Nicolai Ghiaurov (Gremin), Michel Senechal (Triquet) Decca 417 413–2
• 1979, Mark Ermler (conductor), Bolshoi Theatre Orchestra and Chorus, Yuri Mazurok (Onegin), Vladimir Atlantov (Lensky), Tamara Milashkina (Tatyana), Tamara Sinyavskaya (Olga), Evgeny Nesterenko (Gremin), Tatiana Tugarinova (Larina), Larisa Avdeyeva (Filipyevna), Lev Kuznetsov (Triquet) Melodiya
• 1986, Vladimir Fedoseyev (conductor), Moscow Radio and TV Symphony Orchestra and Choir, Yuri Mazurok (Onegin), Alexander Fedin (Lensky), Lidiya Chernikh (Tatyana), Tamara Sinyavskaya (Olga), Alexander Vedernikov (Gremin), Yannis Sprogis (Triquet) APC 101.751
• 1987, James Levine (conductor), Staatskapelle Dresden and Rundfunkchor Leipzig, Sir Thomas Allen (Onegin), Neil Shicoff (Lensky), Mirella Freni (Tatyana), Anne Sofie von Otter (Olga), Rosemarie Lang (Larina), Ruthild Engert (Filipyevna), Paata Burchuladze (Gremin), Michel Senechal (Triquet) DG 423 959–2
• 1993 Semyon Bychkov (conductor), Orchestre de Paris, Dmitri Hvorostovsky (Onegin), Neil Shicoff (Lensky), Nuccia Focile (Tatyana), Olga Borodina (Olga), Sarah Walker (Larina), Irina Arkhipova (Filipyevna), Alexander Anisimov (Gremin)
• 1994 Andrew Davis (conductor), London Philharmonic, Wojciech Drabowicz (Onegin), Elena Prokina (Tatyana), Louise Winter (Olga), Yvonne Minton (Madame Larina), Martin Thompson (Lensky), John Fryatt (Monsieur Triquet), Ludmilla Filatova (Filipyevna), Frode Olsen (Gremin), Christopher Thornton-Holmes (Zaretsky) (DVD recording of the Graham Vick production)
• 2007 Valery Gergiev (conductor), The Metropolitan Opera Orchestra and Chorus, Dmitri Hvorostovsky (Onegin), Ramón Vargas (Lensky), Renee Fleming (Tatyana), Elena Zaremba (Olga), Svetlana Volkova (Larina), Larisa Shevchenko (Filipyevna), Sergei Aleksashkin (Gremin), Jean-Paul Fouchécourt (Triquet), Richard Bernstein (Zaretsky), Keith Miller (A captain), Stage Director: Robert Carsen (DVD recording of the 24 February 2007 live transmission to movie theatres)
• 2011 Mariss Jansons (conductor), Royal Concertgebouw Orchestra, Bo Skovhus (Onegin), Andrej Dunaev (Lensky), Krassimira Stoyanova (Tatyana), Elena Maximofa (Olga), Olga Savova (Marina), Nina Romanova (Filipyevna), Mikhail Petrenko (Gremin), Guy de Mey (Triquet), Roger Smeets (Zaretsky) Stage Director: Stefan Herheim, Muziektheater (Label: Opus Arte)
• 2013 Valery Gergiev (conductor), The Metropolitan Opera Orchestra and Chorus, Mariusz Kwiecień (Onegin), Piotr Beczała (Lensky), Anna Netrebko (Tatyana), Oksana Volkova (Olga), Elena Zaremba (Larina), Larissa Diadkova (Filipyevna), Alexei Tanovitsky (Gremin), John Graham-Hall (Triquet), Richard Bernstein (Zaretsky), David Crawford (A captain), Stage Director: Deborah Warner (DVD recording of the 5 October 2013 live transmission to movie theatres)
• 2013 Robin Ticciati (conductor), Royal Opera House, Covent Garden, Simon Keenlyside (Onegin), Pavol Breslik (Lensky), Krassimira Stoyanova (Tatyana), Elena Maximova (Olga), Diana Montague (Larina), Kathleen Wilkinson (Filipyevna), Peter Rose (Gremin), Christophe Mortagne (Triquet), Jihoon Kim (Zaretsky), Stage Director: Kasper Holten

Sung in German:

• 1962 Joseph Keilberth (conductor), Bayerische Staatsoper, Hermann Prey (Onegin), Fritz Wunderlich (Lensky), Ingeborg Bremert (Tatyana), Brigitte Fassbaender (Olga), Herta Töpper (Larina), Lillian Benningsen (Filipyevna), Mino Yahia (Gremin), Ferry Gruber (Triquet), Josef Knapp (Zaretsky)

Sung in English:

• 1992 Sir Charles Mackerras (conductor), Orchestra and Chorus of Welsh National Opera, Thomas Hampson (Onegin), Neil Rosenshein (Lensky), Dame Kiri Te Kanawa (Tatiana), Patricia Bardon (Olga), Linda Finnie (Larina), Elizabeth Bainbridge (Filipyevna), John Connell (Gremin), Nicolai Gedda (Triquet), Richard Van Allan (Zaretsky/A captain)

Allusions

Prince Gremin's aria «Любви все возрасты покорны» – "To love both young and old surrender" (Act III, Scene I) is partially hummed by the characters of Vershinin and Masha in Anton Chekhov's play Three Sisters.

Screen versions

• In 1958 Lenfilm (USSR) produced a film Eugene Onegin. It was directed by Roman Tikhomirov and starred Vadim Medvedev as Onegin, Ariadna Shengelaya as Tatyana and Igor Ozerov as Lensky. The principal solo parts were performed by notable opera singers of the Bolshoi Theatre. The film was well received by critics and viewers.
• In 1988 Decca/Channel 4 (Great Britain) produced a film adaptation of the opera, directed by Petr Weigl. Sir Georg Solti was the conductor, while the cast featured Michal Docolomanský as Onegin and Magdaléna Vášáryová as Tatyana (sung by Teresa Kubiak).