Milena Jesenská

Milena Jesenská (Czech pronunciation: [ˈmɪlɛna ˈjɛsɛnskaː]; 10 August 1896 – 17 May 1944) was a Czech journalist, writer, editor and translator.

Early life

Jesenská was born in Prague, Austria-Hungary (now Czech Republic). Her family is believed to descend from Jan Jesenius, the first professor of medicine at Prague's Charles University who was among the 27 Bohemian luminaries executed in the Old Town Square in Prague on 21 June 1621 for defying the authority of the Habsburgs King Ferdinand II. However, this belief has been challenged as unfounded. Jesenská's father Jan was a dental surgeon and professor at Charles University in Prague; her mother Milena Hejzlarová died when Milena was 16. Jesenská studied at Minerva, the first academic gymnasium for girls in the Austro-Hungarian Empire. After graduation she enrolled briefly at the Prague Conservatory and at the Faculty of Medicine but abandoned her studies after two semesters. In 1918 she married Ernst Pollak, a Jewish intellectual and literary critic whom she met in Prague's literary circles, and moved with him to Vienna. The marriage, which allegedly caused her to break off relations with her father for several years, was an unhappy one.

Career

Since Pollak's earnings were initially inadequate to support the pair in the city's war-torn economy, Jesenská had to supplement their household income by working as a translator. In 1919 she discovered a short story (The Stoker) by Prague writer Franz Kafka, and wrote him to ask for permission to translate it from German to Czech. The letter launched an intense and increasingly passionate correspondence. Jesenská and Kafka met twice: they spent four days in Vienna together and later a day in Gmünd. Eventually Kafka broke off the relationship, partly because Jesenská was unable to leave her husband, and their almost daily communication ceased abruptly in November 1920. They meant so much to each other, however, that they did exchange a few more letters in 1922 and 1923 (and Kafka turned over to Jesenská his diaries at the end of his life). Jesenská's translation of The Stoker was a first translation of Kafka's writings into Czech (and as a matter of fact, into any foreign language); later she translated two other short stories by Kafka and also texts by Hermann Broch, Franz Werfel, Upton Sinclair, and many others. Jaroslav Dohal, the name given for the translator of the Czech edition of Kafka's short-story "Reflections for Gentlemen-Jockeys", is most likely a pseudonym for Jesenská.

In Vienna, Jesenská also began to write herself, contributing articles and later also editorials to women's columns in some of the best known Prague dailies and magazines. For example, she contributed to Tribuna, and between 1923 and 1926, she wrote for Národní listy, Pestrý týden and Lidové noviny.

In 1925 Jesenská divorced Pollak and moved back to Prague, where she later met and married avant-garde Czech architect Jaromír Krejcar. In Prague she continued working as a journalist, writing for newspapers and magazines, and also as children's books editor and translator. Some of her articles from the period were published in two separate collections by the Prague Publishing House Topič.

In the 1930s Jesenská became attracted to communism (like many other Czech intellectuals of the period), but eventually abandoned her sympathies for the ideology altogether in 1936, when she grew aware of excesses of Stalinism. In October 1934 her second marriage ended - she gave a consent to divorce Krejcar so that he could marry a Latvian interpreter whom he met during his visit to the Soviet Union.

Between 1938 and 1939 she edited the prestigious Czech magazine for politics and culture Přítomnost (The Presence), founded and published in Prague by the esteemed political commentator and democrat Ferdinand Peroutka. Here she wrote editorials and visionary commentaries on the rise of the NSDAP (Nazi Party) in Germany, the Anschluss of Austria to Nazi Germany and the possible consequences this was to have for Czechoslovakia.

Death

After the occupation of Czechoslovakia by the German army, Jesenská joined an underground resistance movement and helped many Jewish and political refugees to emigrate. She herself decided to stay, however, despite the consequences. In November 1939 she was arrested by the Gestapo and imprisoned first in Prague's Pankrác and later in Dresden. In October 1940 she was deported to a concentration camp in Ravensbrück in Germany. Here she provided moral support to other prisoners and befriended Margarete Buber-Neumann, who wrote her first biography after the war. Like other inmates, Jesenská was tattooed with an identity number in the camp - in her case the number was "4714". She nevertheless, perhaps inevitably, was given the nickname "4711" ("Siebenundvierzig-elf") by other detainees, a reference to a version Eau de Cologne which was at the time one of Germany's best known brands. Jesenská died of kidney failure, in Ravensbrück, on 17 May 1944.

Milena Jesenská's daughter

Jana "Honza" Krejcarová, the daughter of Jesenská and Jaromír Krejcar, was a writer for the Czech underground publication Půlnoc in the early 1950s and for Divoké víno in the 1960s.

In music

Jesenská was the subject of a cantata for soprano and orchestra, entitled Milena, by the Argentine composer Alberto Ginastera. Ginastera's work was based on Kafka's letters.

British Industrial musician Bryn Jones, under the moniker of Muslimgauze, included a track named after her in his album Opaques.

French singer songwriter, Dominique A, wrote a song dedicated to Milena Jesenská in the song "Milena Jesenská" of his 1998 single Ep "L'Attirance" (Ovni Records - Acuarela).

American singer songwriter, Rhett Miller, mentions Milena in the song "Our Love" of his 2002 debut album "The Instigator".