Cardinal Richelieu

Armand Jean du Plessis, cardinal-duc de Richelieu et de Fronsac (French pronunciation: ​[ʁiʃəljø]; 9 September 1585 – 4 December 1642) was a French clergyman, noble and statesman.

Consecrated as a bishop in 1608, he later entered politics, becoming a Secretary of State in 1616. Richelieu soon rose in both the Catholic Church and the French government, becoming a Cardinal in 1622, and King Louis XIII's chief minister in 1624. He remained in office until his death in 1642; he was succeeded by Cardinal Mazarin, whose career he had fostered.

The Cardinal de Richelieu was often known by the title of the King's "Chief Minister" or "First Minister". As a result, he is considered to be the world's first Prime Minister, in the modern sense of the term. He sought to consolidate royal power and crush domestic factions. By restraining the power of the nobility, he transformed France into a strong, centralized state. His chief foreign policy objective was to check the power of the Austro-Spanish Habsburg dynasty, and to ensure French dominance in the Thirty Years' War that engulfed Europe. Although he was a cardinal, he did not hesitate to make alliances with Protestant rulers in attempting to achieve his goals.

Richelieu was also famous for his patronage of the arts; most notably, he founded the Académie Française, the learned society responsible for matters pertaining to the French language. Richelieu is also known by the sobriquet l'Éminence rouge ("the Red Eminence"), from the red shade of a cardinal's clerical dress and the style "eminence" as a cardinal.

As an advocate for Samuel de Champlain and of the retention of New France, he founded the Compagnie des Cent-Associés and saw the Treaty of Saint-Germain-en-Laye return Quebec City to French rule under Champlain, after the settlement had been captured by the Kirkes in 1629. This in part allowed the colony to eventually develop into the heartland of Francophone culture in North America.

He is also a leading character in The Three Musketeers by Alexandre Dumas, père and its subsequent film adaptations, portrayed as a main antagonist, and a powerful ruler, even more powerful than the King himself, though events like the Day of the Dupes show that in fact he very much depended on the King's confidence to keep this power.

Early life

Born in Paris, Armand du Plessis was the fourth of five children and the last of three sons: he was delicate from childhood, and suffered frequent bouts of ill-health throughout his life. His family, although belonging only to the lesser nobility of Poitou, was somewhat prominent: his father, François du Plessis, seigneur de Richelieu, was a soldier and courtier, who served as the Grand Provost of France; his mother, Susanne de La Porte, was the daughter of a famous jurist. When he was five years old, his father died fighting in the French Wars of Religion, leaving the family in debt; with the aid of royal grants, however, the family was able to avoid financial difficulties. At the age of nine, young Richelieu was sent to the College of Navarre in Paris to study philosophy. Thereafter, he began to train for a military career. His private life seems to have been typical of a young officer of the era: in 1605, aged twenty, he was treated by Théodore de Mayerne for gonorrhea.

King Henry III had rewarded Richelieu's father for his participation in the Wars of Religion by granting his family the bishopric of Luçon. The family appropriated most of the revenues of the bishopric for private use; they were, however, challenged by clergymen, who desired the funds for ecclesiastical purposes. In order to protect the important source of revenue, Richelieu's mother proposed to make her second son, Alphonse, the bishop of Luçon. Alphonse, who had no desire to become a bishop, became instead a Carthusian monk. Thus, it became necessary that the younger Richelieu join the clergy. He had strong academic interests, and threw himself into studying for his new post.

In 1606 King Henry IV nominated Richelieu to become Bishop of Luçon. As Richelieu had not yet reached the official minimum age, it was necessary that he journey to Rome for a special dispensation from the Pope. This secured, Richelieu was consecrated bishop in April 1607. Soon after he returned to his diocese in 1608, Richelieu was heralded as a reformer. He became the first bishop in France to implement the institutional reforms prescribed by the Council of Trent between 1545 and 1563.

At about this time, Richelieu became a friend of François Leclerc du Tremblay (better known as "Père Joseph" or "Father Joseph"), a Capuchin friar, who would later become a close confidant. Because of his closeness to Richelieu, and the grey colour of his robes, Father Joseph was also nicknamed l'Éminence grise ("the Grey Eminence"). Later, Richelieu often used him as an agent during diplomatic negotiations.

Rise to power

 

The young King Louis XIII was only a figurehead during his early reign; power actually rested with his mother, Marie de Médicis.

 

In 1614, the clergymen of Poitou asked Richelieu to be one of their representatives to the States-General. There, he was a vigorous advocate of the Church, arguing that it should be exempt from taxes and that bishops should have more political power. He was the most prominent clergyman to support the adoption of the decrees of the Council of Trent throughout France; the Third Estate (commoners) was his chief opponent in this endeavour. At the end of the assembly, the First Estate (the clergy) chose him to deliver the address enumerating its petitions and decisions. Soon after the dissolution of the Estates-General, Richelieu entered the service of King Louis XIII's wife, Anne of Austria, as her almoner.

Richelieu advanced politically by faithfully serving the Queen-Mother's favourite, Concino Concini, the most powerful minister in the kingdom. In 1616, Richelieu was made Secretary of State, and was given responsibility for foreign affairs. Like Concini, the Bishop was one of the closest advisors of Louis XIII's mother, Marie de Médicis. The Queen had become Regent of France when the nine-year old Louis ascended the throne; although her son reached the legal age of majority in 1614, she remained the effective ruler of the realm. However, her policies, and those of Concini, proved unpopular with many in France. As a result, both Marie and Concini became the targets of intrigues at court; their most powerful enemy was Charles de Luynes. In April 1617, in a plot arranged by Luynes, King Louis XIII ordered that Concini be arrested, and killed should he resist; Concini was consequently assassinated, and Marie de Médicis overthrown. His patron having died, Richelieu also lost power; he was dismissed as Secretary of State, and was removed from the court. In 1618, the King, still suspicious of the Bishop of Luçon, banished him to Avignon. There, Richelieu spent most of his time writing; he composed a catechism entitled L'Instruction du chrétien.

In 1619, Marie de Médicis escaped from her confinement in the Château de Blois, becoming the titular leader of an aristocratic rebellion. The King and the duc de Luynes recalled Richelieu, believing that he would be able to reason with the Queen. Richelieu was successful in this endeavour, mediating between her and her son. Complex negotiations bore fruit when the Treaty of Angoulême was ratified; Marie de Médicis was given complete freedom, but would remain at peace with the King. The Queen-Mother was also restored to the royal council.

After the death of the King's favourite, the duc de Luynes, in 1621, Richelieu began to rise to power quickly. Next year, the King nominated Richelieu for a cardinalate, which Pope Gregory XV accordingly granted on 19 April 1622. Crises in France, including a rebellion of the Huguenots, rendered Richelieu a nearly indispensable advisor to the King. After he was appointed to the royal council of ministers on 29 April 1624, he intrigued against the chief minister, Charles, duc de La Vieuville. On 12 August of the same year, La Vieuville was arrested on charges of corruption, and Cardinal Richelieu took his place as the King's principal minister the following day, although Cardinal de la Rochefoucauld nominally remained president of the council (Richelieu was officially appointed as president in November 1629).

Chief minister

 

Henri Motte's somewhat romantic depiction of Cardinal Richelieu at the Siege of La Rochelle.

 

Cardinal Richelieu's policy involved two primary goals: centralization of power in France and opposition to the Habsburg dynasty (which ruled in both Austria and Spain). Shortly after he became Louis' principal minister, he was faced with a crisis in Valtellina, a valley in Lombardy (northern Italy). In order to counter Spanish designs on the territory, Richelieu supported the Protestant Swiss canton of Grisons, which also claimed the strategically important valley. The Cardinal deployed troops to Valtellina, from which the Pope's garrisons were driven out. Richelieu's early decision to support a Protestant canton against the Pope was a foretaste of the purely diplomatic power politics he would espouse in his foreign policy.

In order to further consolidate power in France, Richelieu sought to suppress the influence of the feudal nobility. In 1626, he abolished the position of Constable of France and ordered all fortified castles to be razed, excepting only those needed to defend against invaders. Thus, he stripped the princes, dukes, and lesser aristocrats of important defences that could have been used against the King's armies during rebellions. As a result, Richelieu was hated by most of the nobility.

 

Letter of Cardinal Richelieu to Claude de Razilly asking him to do everything in his power to relieve Ré Island in the Siege of Saint-Martin-de-Ré, July 1627.

 

Another obstacle to the centralization of power was religious division in France. The Huguenots, one of the largest political and religious factions in the country, controlled a significant military force, and were in rebellion. Moreover, the King of England, Charles I, declared war on France in an attempt to aid the Huguenot faction. In 1627, Richelieu ordered the army to besiege the Huguenot stronghold of La Rochelle; the Cardinal personally commanded the besieging troops. English troops under the Duke of Buckingham led an expedition to help the citizens of La Rochelle, but failed abysmally. The city, however, remained firm for over a year before capitulating in 1628.

Although the Huguenots suffered a major defeat at La Rochelle, they continued to fight, led by Henri, duc de Rohan. Protestant forces, however, were defeated in 1629; Rohan submitted to the terms of the Peace of Alais. As a result, religious toleration for Protestants, which had first been granted by the Edict of Nantes in 1598, was permitted to continue, but the Cardinal abolished their political rights and protections. Rohan was not executed (as were leaders of rebellions later in Richelieu's tenure); in fact, he later became a commanding officer in the French army.

 

On the "Day of the Dupes" in 1630, it appeared that Marie de Médicis had secured Richelieu's dismissal. Richelieu, however, survived the scheme, and Marie was exiled as a result.

 

Habsburg Spain exploited the French conflict with the Huguenots to extend its influence in northern Italy. It funded the Huguenot rebels in order to keep the French army occupied, meanwhile expanding its Italian dominions. Richelieu, however, responded aggressively; after La Rochelle capitulated, he personally led the French army to northern Italy to restrain Spain.

In the next year, Richelieu's position was seriously threatened by his former patron, Marie de Médicis. Marie believed that the Cardinal had robbed her of her political influence; thus, she demanded that her son dismiss the chief minister. Louis XIII was not, at first, averse to such a course of action, as he personally disliked Richelieu. The persuasive statesman convinced his master of the wisdom in his plans, however. On 11 November 1630, Marie de Médicis and the King's brother, Gaston, duc d'Orléans, secured the King's agreement for the dismissal. Richelieu, however, was aware of the plan, and quickly convinced the King to repent. This day, known as the Day of the Dupes, was the only one on which Louis XIII took a step toward dismissing his minister. Thereafter, the King was unwavering in his political support for him; the courtier was created duc de Richelieu and was made a Peer of France.

Meanwhile, Marie de Médicis was exiled to Compiègne. Both Marie and the duc d'Orléans continued to conspire against Richelieu, but their schemes came to nothing. The nobility, also, remained powerless. The only important rising was that of Henri, duc de Montmorency in 1632; Richelieu, ruthless in suppressing opposition, ordered the duke's execution. Richelieu's harsh measures were designed to intimidate his enemies. He also ensured his political security by establishing a large network of spies in France as well as in other European countries.

Thirty Years' War

 

Cardinal Richelieu by Robert Nanteuil

 

Before Richelieu's ascent to power, most of Europe had become involved in the Thirty Years' War (1618–1648). France was not openly at war with the Habsburgs, who ruled Spain and the Holy Roman Empire, so subsidies and aid were given secretly to their adversaries. He subsidized the Dutch to fight against the Spanish via the Treaty of Compiègne in 1624. That same year, a military expedition, secretly financed by France and commanded by Marquis de Coeuvres, liberated the Valtelline of Spanish occupation. In 1625 Richelieu also sent money to Ernst von Mansfeld, a famous mercenary general operating in Germany in English service. However, in 1626, he made peace with Spain via the Treaty of Monçon. This peace quickly broke after tensions due to the War of Mantuan Succession.

In 1629, the Emperor Ferdinand II subjugated many of his Protestant opponents in Germany. Richelieu, alarmed by Ferdinand's influence, incited Sweden to intervene, providing money. In the meantime, France and Spain remained hostile over Spain's ambitions in northern Italy. At that time northern Italy was a major strategic item in Europe's balance of powers, serving as a link between the Habsburgs in the Empire and in Spain. Had the imperial armies dominated this region, France's very existence would have been endangered, as it would have been encircled by Habsburg territories. Spain was seeking papal approval for a universal monarchy. When, in 1630, French ambassadors in Regensburg agreed to make peace with Spain, Richelieu refused to uphold them. The agreement would have prohibited French interference in Germany. Thus, Richelieu advised Louis XIII to refuse to ratify the treaty. In 1631, he allied France to Sweden, who had just invaded the empire, in the Treaty of Bärwalde.

Military expenses put a considerable strain on the King's revenues. In response, Richelieu raised the gabelle (salt tax) and the taille (land tax). The taille was enforced to provide funds to raise armies and wage war. The clergy, nobility, and high bourgeoisie were either exempt or could easily avoid payment, so the burden fell on the poorest segment of the nation. To collect taxes more efficiently, and to keep corruption to a minimum, Richelieu bypassed local tax officials, replacing them with intendants (officials in the direct service of the Crown). Richelieu's financial scheme, however, caused unrest among the peasants; there were several uprisings in 1636 to 1639. Richelieu crushed the revolts violently, and dealt with the rebels harshly.

Because he openly aligned France with Protestant powers, Richelieu was denounced by many as a traitor to the Roman Catholic Church. Military hostilities, at first, were disastrous for the French, with many victories going to Spain and the Empire. Neither side, however, could obtain a decisive advantage, and the conflict lingered on until after Richelieu's death. Richelieu was instrumental in redirecting the 30 Years' War from the conflict of Protestantism versus Catholicism to that of nationalism versus Habsburg hegemony. In this conflict France effectively drained the already overstretched resources of the Habsburg empire and drove it inexorably towards bankruptcy. The defeat of Habsburg forces at the Battle of Lens, and their failure to prevent French invasion of Catalonia effectively spelled the end for Habsburg domination of the continent, and Olivares' personal career. Indeed, in the subsequent years it would be France, under the leadership of Louis XIV, who would attempt to fill the vacuum left by the Habsburgs in the Spanish Netherlands, and supplant Spain as the dominant European power.

Last years

 

Cardinal Mazarin succeeded Richelieu in office.

 

Towards the end of his life, Richelieu alienated many people, including Pope Urban VIII. Richelieu was displeased by the Pope's refusal to name him the papal legate in France; in turn, the Pope did not approve of the administration of the French church, or of French foreign policy. However, the conflict was largely healed when the Pope granted a cardinalate to Jules Mazarin, one of Richelieu's foremost political allies, in 1641. Despite troubled relations with the Roman Catholic Church, Richelieu did not support the complete repudiation of papal authority in France, as was advocated by the Gallicanists.

As he neared his death, Richelieu faced a plot that threatened to remove him from power. The cardinal had introduced a young man named Henri Coiffier de Ruzé, marquis de Cinq-Mars to Louis XIII's court. The Cardinal had been a friend of Cinq-Mars' father. More importantly, Richelieu hoped that Cinq-Mars would become Louis' favourite, so that he could indirectly exercise greater influence over the monarch's decisions. Cinq-Mars had become the royal favourite by 1639, but, contrary to Cardinal Richelieu's belief, he was not easy to control. The young marquis realized that Richelieu would not permit him to gain political power. In 1641, he participated in the comte de Soissons' failed conspiracy against Richelieu, but was not discovered. Next year, he schemed with leading nobles (including the King's brother, the duc d'Orléans) to raise a rebellion; he also signed a secret agreement with the King of Spain, who promised to aid the rebels. Richelieu's spy service, however, discovered the plot, and the Cardinal received a copy of the treaty. Cinq-Mars was promptly arrested and executed; although Louis approved the use of capital punishment, he grew more distant from Richelieu as a result.

 

Painting by Philippe de Champaigne showing Cardinal Richelieu on his deathbed.

 

However, Richelieu was now dying. For many years he had suffered from recurrent fevers (possibly malaria), strangury (from the gonorrhoea he had caught as a teenager), intestinal tuberculosis with fistula, and migraine. Now his right arm was suppurating with tubercular osteitis, and he coughed blood (after his death, his lungs were found to have extensive cavities and caseous necrosis). His doctors continued to bleed him frequently, further weakening him. As he felt his death approaching, he named as his successor Mazarin, one of his most faithful followers.

Richelieu died on 4 December 1642, aged 57. His body was embalmed, and interred at the church of the Sorbonne. (On hearing of Richelieu's death, Pope Urban is said to have remarked, "If there is a God, Richelieu will have much to answer for. If there is not, he lived a successful life.") During the French Revolution, the corpse was removed from its tomb, and the mummified front of his head, having been removed and replaced during the original embalming process, was stolen. It ended up in the possession of Nicholas Armez of Brittany by 1796, and he occasionally exhibited the well-preserved face. His nephew, Louis-Philippe Armez, inherited it and also occasionally exhibited it and lent it out for study. In 1866, Napoleon III persuaded Armez to return the face to the government for re-interment with the rest of Richelieu's body. An investigation of subsidence of the church floor enabled it to be photographed in 1895.

Arts and culture

Richelieu was a famous patron of the arts. Himself an author of various religious and political works (most notably his Political Testament), he sent his agents abroad in search of books and manuscripts for his unrivaled library, which he specified in his will, leaving it to his great-nephew fully funded, should serve, not merely his family but to be open at fixed hours to scholars; the manuscripts alone numbered some 900, bound as codices in red Morocco with the cardinal's arms. The library was transferred to the Sorbonne in 1660. He funded the literary careers of many writers. He was a lover of the theatre, which was not considered a respectable art form during that era; a private theatre was a feature of the Palais-Cardinal. Among the individuals he patronized was the famous playwright Pierre Corneille. Richelieu was also the founder and patron of the Académie française, the pre-eminent French literary society. The institution had previously been in informal existence; in 1635, however, Cardinal Richelieu obtained official letters patent for the body. The Académie française includes forty members, promotes French literature, and continues to be the official authority on the French language. Richelieu served as the Académie's "protector"; since 1672, that role has been fulfilled by the French head of state.

In 1622, Richelieu was elected the proviseur or principal of the Sorbonne. He presided over the renovation of the college's buildings, and over the construction of its famous chapel, where he is now entombed. As he was Bishop of Luçon, his statue stands outside the Luçon cathedral.

 

Cardinal de Richelieu, by Philippe de Champaigne

 

Bust of Cardinal Richelieu by Gianlorenzo Bernini

 

Richelieu oversaw the construction of his own palace in Paris, the Palais-Cardinal. The palace, renamed the Palais Royal after Richelieu's death, now houses the French Constitutional Council, the Ministry of Culture, and the Conseil d'État. The Galerie de l'avant-cour had ceiling paintings by the Cardinal's chief portraitist, Philippe de Champaigne, celebrating the major events of the Cardinal's career; the Galerie des hommes illustres had twenty-six historicizing portraits of great men, larger than life, from Abbot Suger to Louis XIII; some were by Simon Vouet others were careful copies by Philippe de Champaigne from known portraits; with them were busts of Roman emperors. Another series of portraits of authors complemented the library. The architect of the Palais-Cardinal, Jacques Lemercier, also received a commission to build a château and a surrounding town in Indre-et-Loire; the project culminated in the construction of the Château Richelieu and the town of Richelieu. To the château, he added one of the largest art collections in Europe and the largest collection of ancient Roman sculpture in France. The heavily resurfaced and restored Richelieu Bacchus continued to be admired by neoclassical artists. Among his 300 paintings by moderns, most notably, he owned Leonardo's Virgin and Child with Saint Anne, The Family of the Virgin by Andrea del Sarto, the two famous Bacchanales of Nicolas Poussin, as well as paintings by Veronese and Titian, and Diana at the Bath by Rubens, for which he was so glad to pay the artist's heirs 3,000 écus, that he made a gift to Rubens' widow of a diamond-encrusted watch. His marble portrait bust by Bernini was not considered a good likeness and was banished to a passageway.

 

The Richelieu Bacchus continued to be admired by neoclassical artists, (Louvre Museum)

 

The fittings of his chapel in the Palais-Cardinal, for which Simon Vouet executed the paintings, were of solid gold—crucifix, chalice, patten, ciborium, candelsticks—set with 180 rubies and 9,000 diamonds. His taste also ran to massive silver, small bronzes and works of vertu, enamels and rock crystal mounted in gold, Chinese porcelains, tapestries and Persian carpets, cabinets from Italy and Antwerp and the heart-shaped diamond bought from Alphonse Lopez that he willed to the king. when the Palais-Cardinal was complete, he donated it to the Crown, in 1636. With the Queen in residence, the paintings of the Grand Cabinet were transferred to Fontainebleau and replaced by copies, and the interiors were subjected to much rearrangement.

Michelangelo's two Slaves were among the rich appointments of the château Richelieu, where there were the Nativity triptych by Dürer and paintings by Mantegna, Lorenzo Costa and Perugino, lifted from the Gonzaga collection at Mantua by French military forces in 1630, as well as numerous antiquities.

Legacy

Richelieu's tenure was a crucial period of reform for France. Earlier, the nation's political structure was largely feudal, with powerful nobles and a wide variety of laws in different regions. Parts of the nobility periodically conspired against the King, raised private armies, and allied themselves with foreign powers. This system gave way to centralized power under Richelieu. Local and even religious interests were subordinated to those of the whole nation, and of the embodiment of the nation — the King. Equally critical for France was Richelieu's foreign policy, which helped restrain Habsburg influence in Europe. Richelieu did not survive until the end of the Thirty Years' War. However, the conflict ended in 1648, with France emerging in a far better position than any other power, and the Holy Roman Empire entering a period of decline.

Richelieu's successes were extremely important to Louis XIII's successor, King Louis XIV. He continued Richelieu's work of creating an absolute monarchy; in the same vein as the Cardinal, he enacted policies that further suppressed the once-mighty aristocracy, and utterly destroyed all remnants of Huguenot political power with the Edict of Fontainebleau. Moreover, Louis took advantage of his nation's success during the Thirty Years' War to establish French hegemony in continental Europe. Thus, Richelieu's policies were the requisite prelude to Louis XIV becoming the most powerful monarch, and France the most powerful nation, in all of Europe during the late seventeenth century.

Richelieu is also notable for the authoritarian measures he employed to maintain power. He censored the press, established a large network of internal spies, forbade the discussion of political matters in public assemblies such as the Parlement de Paris (a court of justice), and had those who dared to conspire against him prosecuted and executed. The Canadian historian and philosopher John Ralston Saul has referred to Richelieu as the "father of the modern nation-state, modern centralised power [and] the modern secret service."

Richelieu's motives are the focus of much debate among historians; some see him as a patriotic supporter of the monarchy, while others view him as a power-hungry cynic (Voltaire even argued that Richelieu started wars to make himself indispensable to the King). The latter image gained further currency due to Alexandre Dumas' The Three Musketeers, of which Richelieu is a major character and one of the main villains. The novel, and subsequent film adaptations, depicts Richelieu as a power-hungry, unscrupulous, and avaricious minister.

Despite such arguments, Richelieu remains an honoured personality in France, particularly for his stubborn refusal to let courtly intrigues and foreign interests dominate the government. He has given his name to a battleship and a battleship class. The French government planned to use his name for an aircraft carrier but the ship was finally named after Charles de Gaulle.

His legacy is also important for the world at large; his ideas of a strong nation-state and aggressive foreign policy helped create the modern system of international politics. The notions of national sovereignty and international law can be traced, at least in part, to Richelieu's policies and theories, especially as enunciated in the Treaty of Westphalia that ended the Thirty Years' War.

One aspect of his legacy which has remained less renowned is his involvement with Samuel de Champlain, and his fledgling colony along the St. Lawrence River. The retention and promotion of Canada under Richelieu allowed it — and through the settlement's strategic location, the St. Lawrence – Great Lakes gateway into the North American interior — to develop into a French empire in North America—parts of which would eventually become modern Canada and Louisiana.

Film portrayals

As of April 2013, the International Movie Database lists ninety-four films and television programs in which Cardinal Richelieu is a character. Richelieu is one of the clergymen most frequently portrayed in film, notably in the many versions of Alexandre Dumas's The Three Musketeers. He is usually portrayed as a sinister character, but the 1950 Cyrano de Bergerac showed him (in a scene not from Rostand's original verse drama), as compassionate to Cyrano's financial plight, and playfully having enjoyed the duel at the theatre.

Cardinal Richelieu, a semi-fictional treatment of incidents in his career was made in 1935 with George Arliss in the role. It was based on the play, "Richelieu", by Edward Bulwer-Lytton, which had Richelieu utter the famous line, "The pen is mightier than the sword."

Raymond Massey played Richelieu in Under the Red Robe (1937), based on Stanley J. Weyman's swashbuckling novel of the same title.

Poet Christopher Logue portrayed Richelieu in the Ken Russell film, The Devils (1971), based on Aldous Huxley's The Devils of Loudun. He is depicted as cruel and scheming, the true power behind the throne, and also as wheelchair-bound, although at the time of the events depicted, Richelieu was not bed-ridden, as he later became.

Christoph Waltz played Richelieu in the 2011 film The Three Musketeers.

Other portrayals include:

• Nigel de Brulier in the silent films The Three Musketeers (1921) and The Iron Mask (1929), and talkie remakes The Three Musketeers (1935) and The Man in the Iron Mask (1939).
• Vincent Price in the film The Three Musketeers (1948), albeit stripped of the title and rainments of Cardinal.
• Edgar Barrier in the 1950 film Cyrano de Bergerac. As noted above, the role was especially created for this film version.
• Richard Pasco in the British television series "The Three Musketeers" (1966)
• Charlton Heston in the films The Three Musketeers (1973) and The Four Musketeers (1974), with a portrait of him appearing in The Return of the Musketeers (1989)
• Aleksander Trofimov in D'Artagnan and Three Musketeers (1978)
• Richelieu is a major figure in the cartoon Dogtanian and the Three Muskehounds. He was voiced by Rafael de Penagos (in the original Spanish version) and Kerry Mahan (in the English-language version).
• Richelieu is one of the key protaginists in Albert the Fifth Musketeer, also known as Albert le Cinquième Mousquetaire, an animated series. He is voiced by Bernard Dhéran in the original French version.
• The Cardinal is also a recurring character in the anime adaptation of Dumas' novels. He was voiced by Nobuo Tanaka.
• Umberto Eco's novel The Island of the Day Before (1995) (L'isola del giorno prima, 1994), a story about a 17th-century nobleman marooned across the international date line
• Tim Curry in the film The Three Musketeers (1993) This film, in a major departure from both history and Alexandre Dumas' work, depicts Richelieu as trying to overthrow and assassinate Louis XIII.
• Michael Praed in the television series The Secret Adventures of Jules Verne (2000)
• Stephen Rea in the film The Musketeer (2001)
• Christoph Waltz in the film The Three Musketeers (2011)
• In the first series of Monty Python's Flying Circus, a surrealist-comic courtroom scene featured Michael Palin playing Cardinal Richelieu as a character witness for the defendant; the character was subsequently shown to be a Cardinal Richelieu impersonator. In a later episode, the cardinal again played Michael Palin, is shortly seen doing an impersonation of Petula Clark singing "Don't Sleep in the Subway". The opening of the first series also featured the painting "Portrait of Cardinal Richelieu" by Philippe de Champaigne, with the Cardinal Richelieu cut-out riding a unicycle chasing a woman.
• The children's PBS series "Wishbone" adapted Dumas's novel as "Muttketeer!", featuring the series' titular dog hero as D'Artagnan, with Kevin Page as the Cardinal.
• Michael Shallard in the Doctor Who audio drama The Church and the Crown.
• Appears in the Dinosaur King anime second season for a few episodes as an antagonist.
• Peter Capaldi will play Richelieu in a new BBC drama, The Musketeers, due to be shown in 2014

Honors

Many sites and landmarks were named to honor Cardinal Richelieu. They include:

• Richelieu, Indre et Loire, a town founded by the Cardinal.
• Avenue Richelieu, located in Shawinigan, Quebec, Canada;
• The provincial electoral district of Richelieu, Quebec;
• Richelieu River, in Montérégie, Quebec.
• A wing of the Louvre Museum, Paris, France.
• Rue de Richelieu, a Parisian street named in the Cardinal's honor, and places located in this street, as the Paris Métro station Richelieu-Drouot, or the historical site of the Bibliothèque nationale de France.
• Four warships of the French Navy.

 

 

Ships of the French Navy named Richelieu

 

Ironclad Richelieu (1873) 

 

The Tanche, similar to the auxiliary submarine hunter Richelieu

The battleship Richelieu (1939)

 

  The nuclear carrier Charles De Gaulle